Mackie cr4 review9/1/2023 ![]() ![]() Both MR models are magnetically shielded, so they can be used close to CRT-type monitors. Both MR models are aimed at smaller studio setups, where budgets are tighter yet good monitoring performance is still essential, but the MR5s are intended for use in more 'compact' situations, where the extended low end of the eight-inch MR8s could serve to exaggerate deficiencies in the room acoustics. Mackie's new MR5 monitors are less costly counterparts of the HR624 Mk2s, and the larger MR8s are similarly comparable with the HR824 Mk2s. If anything, they out-perform the old models, thanks in no small part to the design team of another Loud Technologies division, EAW, a leading high-end live-sound company in the US. But the HR Mk2 series (reviewed in SOS September 2007) put my mind at ease. ![]() ![]() When Mackie's parent company Loud Technologies sold Italian PA manufacturers RCF in 2004, I was a little concerned that Mackie might have lost their main speaker designers. Last year Mackie impressed us with their HR Mk2 series of studio monitors, but they've now introduced new models at roughly half the price. ![]()
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